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Glenrothes Vintage Reserve and Craigellachie 13YO

As I mentioned yesterday, my reviewing days on the Scotch Odyssey Blog are, for the time being, numbered. As a whisky brand ambassador, you’re only really supposed to talk up your own brands but, after some very supportive agencies and distillers sent me some liquid last year, I felt I’d take the opportunity to record a few independent views on some new releases.

Glenrothes Vintage Reserve 40% £TBA

This whisky contains malts from three decades, the oldest vintage being 1989. The majority of the product was distilled in 1998. It will be released in Taiwan first before going global this year.

Colour – brown gold.

Nose – at first I get rich, sourish fruits and bold pistachio biscuit. Underneath is a sturdy phenolic quality. Nose fully in the glass now, seashells and a warm sandiness show themselves but soon clear to the draffy maltiness typical of Glenrothes and egg custard with plenty of nutmeg. A little sharp citric note then glace cherries – a bakewell tart in general. With a bit of time pure lemon steps out along with juicy yellow fruit and pistachio/praline again.

Palate – weighty with lots of fudge, malt and a vaguely sulphury backbone – but it works. A tartness but abundantly sweet.

Finish – milk chocolate and golden delicious apples. Medium-bodied.

Adding water turned the nose even lighter, revealing icing sugar, lemon rind and a tickle of peppery spice. The palate became very smooth indeed with papaya, a slight saltiness and a rich clotted cream texture. I found the finish to be lighter but still palate-coating. Not terribly exciting, however.
Craigellachie 13YO 46% GBP 41.95

Natural colour and non chill-filtered, I believe.

Colour – bright gold.

Nose – chopped salad leaves on first nosing: green and sweet. There follows thick butter, vanilla wafer and a phenolic maltiness. Incredibly muscular and focused at first: bruising malt and mulchy green fruit packed in to a keg of golden oak. Kiwi, pear, a touch of salty metallic tequila. With time, pure confectionary green apple. Biscuit and a very subtle peat. A whole load of textures.

Palate – full and tongue-coating. Dry rich biscuit, a draffy note, lemon pith. Then spice and a hoppy bitterness develops. Reminds me of Innes and Gunn Blonde!

Finish – shortcrust pastry, green plum. Sweet but with a heavy tartness. A coppery flavour/texture appears.

With water, the nose became cleaner with a Granny Smith apple note. Cooked pastry, rather mead-like with that phenolic weight going nowhere. The palate was rounder with egg custard and the green apple from the nose. A touch of herbalness then, as you swallow, in comes a huge old log you might find in the woods in winter: leafy, fungal. A bit of cheese rind. Incredible! It finishes in similarly idiosyncratic fashion: gala melon, apple, dry autumn leaves and an earthiness.

So…?      I mislaid the press release for the Glenrothes, meaning I could taste it completely blind. I only discovered the multi-vintage genesis in a Drinks Report article today. Its price point in Taiwan is GBP 25 which is very good indeed. It’s a very impressive little performer with pleasing depths. Steer clear of water and you have a very drinkable malt indeed.

I always tell myself that I should favour malts like Craigellachie: worm tubs, a once-hidden blender’s favourite – an interesting single malt, in short. This 13YO opened a very exciting new chapter in the John Dewar & Sons malt portfolio and there may well prove some truth in the tagline for the series of whiskies to be released as ‘The Last Great Malts’. Aberfeldy may have been fairly easily-obtainable, but Aultmore, Royal Brackla and Macduff will be revelations when they fully emerge. And will all carry age statements which these days is chicly retro.

There is a 17YO, a 19YO in duty free, and a 23YO to complete the Craigellachie range and they promise a great deal. The leafy, phenolic weight found here in the 13YO should build oak into itself, growing in power and majesty. I doubt I’ll get to try the others any time soon. To be honest, as interesting as I found this dram, it wasn’t entirely for me. The palate was the fascinating star, and without a doubt it has character, but rather Jekyll and Hyde for me.

Many thanks indeed to Quercus for both samples.

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